A Collector’s Eye: Jo Murray’s Edgy Abstracts - Art Critiques from a Chocolate Lab

Good morning, dear readers! Vincent van Dog here, writing to you from my studio where the morning light is hitting my latest acquisition just perfectly—though I must say, not quite as beautifully as it illuminates the work I’m about to discuss.

My first acquisition as a collector (and yes, my paws have tapped many a credit card) was when I met Australian artist Jo Murray, I found myself drawn to her work with the same instinctive pull I have toward a particularly good tennis ball.

Murray works in semi-abstract mixed mediums and collage, a combination that gives her work an edgy immediacy and mystery. Interestingly, she studied at the same Sydney art college as Judith Rose, and one can sense that shared foundation in their commitment to authentic expression, though each has developed a distinctive voice.

Jo Murray layers paint and ephemeral — shifting between fluidity and tactility, breaking and rebuilding narratives that evoke both familiarity and fresh perspectives.

What strikes me most about Murray’s semi-abstract approach is how it captures the essence of a story without being literal. The collaged elements—torn papers, textured surfaces—create a kind of visual archaeology, as if the layers of many stories are being unearthed. As someone who appreciates a good dig (though usually for entirely different reasons), I find this layering utterly compelling.

Her acrylic work shows boldness and spontaneity, with gestural marks that suggest movement—an energy of something still in motion. The semi-abstract nature of her compositions invites the viewer to complete the picture, to bring their own memories and experiences to the canvas. 

Now, here’s the tail-waggingly good news: Murray’s work remains affordably priced, making it accessible to emerging collectors and seasoned enthusiasts alike. You can find her pieces locally at Talented Friends Art Gallery in Caloundra on the Sunshine Coast —a gallery I’ve been known to frequent (they’re very welcoming to four-legged patrons). It’s always a pleasure to support local galleries that champion local talent.

                                                        Current works available, contact gallery for details 

For fellow collectors seeking work by an Australian artist with a contemporary lens—work that honours both tradition and innovation—Jo Murray deserves your serious attention.

Now, if you’ll excuse me, my morning walk awaits. Woof regards,

Vincent van Dog

Chief Art Critic, Studio Manager, and Very Good Boy!

Judith Rose Art Studio

P.S - My human  "helps" me type!